My two books
of fiction contain slices of life about average people whose
experiences serve to show a larger meaning. In this respect,
the stories might be compared to those of Alice Munro. My
collection, Two
Mountains, contains stories that mostly focus
on the teenage experience: a woman in her twenties recounts
the sexual exploits and unhappy events of her high school
years; a teenage boy secretly goes through the drawers of
a neighbor woman with whom he is infatuated; a teenage girl
feels abandoned when her mother goes off partying with a
new boyfriend.
My novel, Moto
Girl, is intended for a young adult audience.
Since it is written in a literary style, however, it
may also be of interest to adults. It’s a tense
family drama about a 12-year-old girl who is learning
to ride motocross. Her mother has a grudge against her,
and when she is betrayed by her step-father she struggles
to protect herself and her little sister. With no one
to turn to for help, she finally suffers a breakdown.
My current fiction veers off into the realm
of non-realism. I’m working on a book of linked stories
about a man who, after dying of old age, finds himself an
infant once again. He is given the chance to live his life
a second time. While this seems a dramatic departure from
my earlier work, there are still elements of slice-of-life
and family drama.
I’ve spent most of my life pursuing
music. After receiving a Master’s degree in Music Composition
from San Francisco State University, I said goodbye to that
esoteric world and now spend my time writing stories and
playing popular music. I can be seen late at night banging
my drums at bars in San Francisco with the country-rock band
Small Gas Engine.
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